Steffen Linck builds electronic music around an acoustic guitar — a rare pairing that became a signature. His live sets sit between Afterlife and Keinemusik: melodic, patient, built for outdoor stages at the hour where the light turns orange.
For Yonaka, he wrote Atlantic Dusk — a six-hour set tuned to the sunset of Lisbon, where the ocean meets Europe's edge.
Lisbon sits on a cliff that looks straight west into the Atlantic. The sun drops into the water, not behind a hill. Monolink wrote the dusk phase around that — slow guitar, long reverbs, the body of the set emerging only after the last orange line leaves the horizon.
The peak lands around 01:30 local time. Expect the guitar to recede and a deeper, more percussive language to take over. The descent is almost silent — a long exhale.